One of my favorite posts was one I wrote on September 17, 2008 titled (and linked here) Spors Fountain Pen Entertainment Center.  Not because the pen is a fantastic and valuable pen, but just that it was fun to share what a surprise it was when I opened the pen up to clean the compass and the dice fell out.  At the time, I ran the pictures by some other collectors and no one seemed to recall any such pens.

Below is a picture that appears in that post, showing the compass removed from the cap-end, with the enclosed dice falling out.

I recently purchased an old SPORS mail order catalog from 1933, in hopes that it would have some information on this pen. Below is a photo of the cover of this mail order catalog, produced by the Spors Company, of Le Center, MN.

When I got to page 23 I was rewarded with a lineup of these Japanese imports, which includes this pen.  You can also see a standard crescent filler, similar to the one restored in my post of February 13, 2008, Made in Japan.

Here is a close up of the advertisement showing the dice stored under the compass.

And here is the specific wording promoting this version.  Interestingly, the compass is the selling point, with emphasis placed on it being removable and worn separately.  I am not sure why you would be attracted to this and it is quite amusing.  Still no mention of the dice other than in passing.  At least I was able to find them in this catalog which narrows the age of this pen to near 1933.

Addendum:  Spors catalogs are quite entertaining to the pen collector.  In a separate location of the catalog you can see where they used pens to promote other products. (Or was it the other way around?).  This $.49 deal was quite a package ~ Perfume, Face Powder, Crystal Necklace, and Pen/Pencil set.  The catalog contains many more of these mix and match deals aimed at retailers, as well as the general public.  Mr. Spors was a master at mail-order and sales.

Part of Fountain Pen Restoration is the placing of the fountain pen in history. The discovery of this catalog finally allowed me to place this curio pen near 1933.

It is cold here and a good day to sit back with family and reflect on what to be thankful for.  No pens today, just an early morning run and family.  Thanks to all of you who have helped me through the first two years of this and I look forward to continuing to speak with you and learn.

Extraordinary events happen in every hobby sometimes.  They are often unexplainable and often not to be believed.  One such event happened to me last night at the monthly meeting of a Pen Club near my home.  The topic of the evening was Minnesota Pen Companies.  I marveled at the collections of the members and the wide array of vintage pens from such makers as Pencraft, Drew, Winter-Robbins, and Houston (Tracy).  One large collection of Houston’s, including large gold filled pens, was stunning.  And there were advertisements, boxes and catalogs as well.

As we were doing our show and tell, the subject settled on The Self – Lock Pen Company of Wells, Minnesota cane up.  Patent 1,036,149 covers the Self-Lock Pens.

In my post of February 17, 2009 I discussed The Rentz Pen Company and the pen above.

I learned that the Rentz Pen above is rarer than the later Self Lock Pen and predated it.  The Self – Locks have a stick on the end of the cap that is placed into a hole on a button on the barrel and depressed to fill the pen (see patent above).  My pen has the filler shown above that is pulled out to allow the button to be depressed and then pushed back to secure the button and full sac.  Following the Rentz link above provides photos of this process.

Back to the pen meeting…

We were discussing the Rentz Pen in my collection (above) and the fact that it was without a nib/feed/section, and as it was the only one at the meeting, it was being passed around.  As it returned to me and I opened the cap again, this note dropped out of the barrel.  It was coiled up tightly to store in the barrel and all of the opening and closing of the Rentz lever must have dislodged it.  When I opened it up I found this penciled note ~

As you can see, Emile Nelson assembled this pen in 1903, five years before the patent listed on the barrel.  This dates the pen much earlier than my February 17, 2009 post suggested.  It appears that the pen may never have had a section, feed, and nib as the note survived for 106 years without damage other than normal age.  At this point, the rest is speculation.  Perhaps this was a prototype and the patent stamp (below) was made at a later date… we will probably never know.

What is certain is that Emile left a note for someone to find, and it took  106 years, but it did get discovered.   And to be dislodged and revealed around a cluttered table of Pen Enthusiasts 100 miles and 106 years from his home seems perfect.

Happy Pen Hunting, and check those barrels……

This week I restored another Parker Vacumatic.  I have reviewed several of these over the past few years and here are a few if you want some additional reading and photos:

Shadow Wave Vacumatic ~ August 27, 2009

Green Marble Junior Vacumatic ~ May 27, 2009

1942 Parker Vacumatic Maxima ~ October 13, 2008

1935 Parker Silver Pearl Junior Vacumatic ~ February 24, 2009

I enjoy restoring these pens and am always looking for some interesting variants and less common styles.  This week’s pen fits these categories.  While not extremely rare, the Star Clip Vacumatics are an interesting slice of Parker history.

Below is the exploded view of this pen.  As you can see, it has the pre-war aluminum speedline filler and doule jewels, consistent with a Second Generation Vacumatic.  All of the parts are in good working order, except the filler needs a new diaphragm.  General cleaning is also needed and as usual, the barrel needs to be cleaned to remove all signs of the old caked-on diaphragm.

I polished the nib (a Parker Vacumatic Fine) as well as the cap bands and clip thoroughly, including a bath in the Ultrasonic Cleaner.  I then spent a considerable amount of time removing all of the old diaphragm from the barrel.  This is very important to assure a clean fit for the new diaphragm and filler unit which will allow for correct operation of the restored pen.  Make certain to check several times with magnification to see that there is no rubber left in the barrel before rebuilding the filler and inserting it back into the rear of the pen.  I also cleaned the cap, which usually has years of old ink caked to its inside.   The breather tube was checked for clogs and tip wear and it was fine.  I did clean it and blow through to make sure any residual ink was gone.  The same was done to the feed and its channels.  Once everything was cleaned, I attached a new debutante diaphragm to the filler and, using my vac tool, reinserted it into the rear of the pen, making sure it was sealed and the blind cap fits securely.  Before putting the reassembled nib/feed/section back on the front of the barrel, I used a goose neck mini-light to check that the diaphragm was seated correctly in the barrel and that there was suction when the aluminum speedline filler was pressed.  After this was done and it was determined that it was properly functioning, I screwed the nib/feed/section back into the pen.

I then polished the barrel, cap, and blind cap.  Then the clip was secured back on the cap using the clip screw and the pen is complete.

Below are two photos of the completed pen ~ a 1940 Vacumatic Junior.  The pen measures 5 1/8 inches closed and 6 inches posted.

The date code is a 0 surrounded by three dots, which indicates it was produced in Janesville, WI during the first quarter of 1940.  As mentioned before, three dots denotes first quarter production, 2 dots is for the second quarter, 1 dot for the third quarter, and no dots around the date indicates the fourth quarter of the year.

Here is a close up of the Star Clip.  Pen historians point out that Parker decided in the late 1930s that they needed to offer a lifetime guarantee to compete with Sheaffer’s guarantee.  The Star on the Clip was the idea for the indicator on the Vacumatic of a Lifetime Guarantee.  In 1939, this was quickly changed to the more familiar and long lasting Blue Diamond that is seen on Vacumatics after this time.  Star Clips that were already produced were used on pens after 1938/9, but did not necessarily denote a lifetime guarantee.  It is believed they were just used until the supply was used up.  Thus, they are not as plentiful and an interesting variant on Vacumatics during the 1938-40 period. I have also read that they are often seen on Shadow Wave Vacumatics of this period.

This pen, with it 1st Quarter of 1940 would seem the perfect representative for the Star Clip ~ a pen produced in late 1939, early 1940 that was not a Lifetime Guarantee pen.

Another item that makes this pen a bit unique is the barrel.  It appears to have longitudinal stripes, which did appear in some vacumatics of this period, though not too frequently.  Below is a photo which attempts to capture their spacing.

It seems that there are endless variations on this very popular line of Parker Pens.  I guess that is what draws many collectors to them.  Around every corner of an antique store, or estate sale, may lie a Vacumatic one hasn’t seen before.

*For further information on Parker Star Clips, see the book Parker Vacumatic, by Geoffrey Parker, David Shepherd, and Dan Zazove ..  pages 149 and 154.

On January 8, 2008, I added a post titled ~ Put Your Loose Change Here.  In that post I cleaned and restored a Bankers Pen Company Coin Filler.  I also discussed the history of the pen (c~1911), including patents for the feed and even some history of the 1 Madison Ave address.  I have reposted some of the photos of the pen and its components below for comparison, but will leave the link above to the old article to cover the restoration and history behind the pen.

I picked up the Post Card below recently as I remembered my coin filling Bankers Pen and its address.  So, I purchased the card and here are photos of the front and back.  The seller told me that the card came from an attorney’s office remains.  The attorney, H. E. Grosshans, practiced in the early 1900s and this fits with the order card and the dates of Bankers Pens such as the one below.  It appears that Mr. Grosshans considered sending in the order form, but may have simply put it back in his desk to be discovered ninety years later.

As you can see, Bankers offered two price ranges ($3.00 and $2.00) as well as three choices of nib (Medium, Fine, and Stub).  The opt out, or “I don’t know” style of nib was medium.

The reason that this pen, or another self filling style of pen was potentially what Mr. Grosshans would have received is that by 1917, the Bankers Pen Company  had moved to 76th Fifth Avenue.  Please see the Manhattan Pen Makers Project (link), for a reference to this.  This is an excellent reference site for NY Pen Company addresses.

I do not have access to the advertisement or solicitation that would have prompted the return of this card, but it is fun to match up a pen and some ephemera.  My next quest will be to find a Bankers advertisement from the same time period, prior to the move to Fifth Avenue.

Below are photos from the January 2008 article as well as a link to Schnell’s  feed patent, filed and issued in 1904.

Schnell Feed Patent

So, the search continues for a Madison Avenue era Bankers Advertisement.  If any of you know where to find one, I would love to hear from you!

It is certainly easy to estimate the production period for this pen.  I came across this coupon which clearly shows an April 1942 date for the promotion of a Waltham Button Filling Pen, with Visualated section to gauge the ink supply.  All for $.35.  Not bad, when compared to a $3.50 pen that has the same attributes, but no personalization or streamlined design.  I wonder if the pen that they were using for comparison was the Parker Duofold, or Striped Duofold?  They were the predominant button fillers of the period and before.

Here is a photo of the pen after I took it apart.  The nib is gold plate as is the clip and cap band.  At 35 cents, who could complain?

The button filler is a bit different than the Duofold in that the metal unit is one piece (embedded) and screws directly into the barrel.   The button on the Duofold is a lone piece and not part of a unit, pulling directly out of the barrel.  I did not unscrew the button unit and fortunately the pressure bar was in great shape and I did not need to craft another.  As you can see, the bar has a pointed end which clicks into the button inside the barrel.  After cleaning the inside of the cap and barrel I reset the bar into the button.

The section is a see-through version and had to be scraped clean of old sac remnants.  As I mentioned above, the furniture is gold plate, so I gently cleaned the clip, band, and nib.  You can see that most of the plating had already worn off the exposed parts of the nib, so I merely polished it up.  The cap band was the only part of the pen to retain much of its gold color.

I inserted a size 18 sac into the barrel after coating with pure talc and cementing it to the section/feed/nib.  The button filler works well and the pen held water overnight and it released a steady stream.

Here is a photo of the completed Waltham Pen, a 1942 button filler.  It measures 5 inches closed and 6 inches posted.

This photo shows the visualated section, marketed as an ink viewing feature.  The  nib reads “Waltham / Duo-Way”.

The imprint, in “Genuine 23 -Carat Gold Leaf” as shown in the above advertisement, reads ~ Gaylord Hagge ~ as shown below.

I do not have any background on the Waltham Pen Company, or brand of pens.  Waltham was a name that was well-known as a producer of watches and located in the Boston, Massachusetts area.  The mail-in offer for this pen was to the U.S. Name-Plate Company in Chicago.  Another piece of the puzzle is that the celebrity name on the mail-in offer pen was Ted Williams, a popular baseball player for the Boston Red Sox during this time.  Clicking on his name will link to his baseball history and statistics. 1942 was certainly a time to use Williams in advertising as he was fresh off an incredible season where he hit .406, the last player to hit over .400 in a season.  It is not certain that the name on the ad is “the” Ted Williams, but the timing leads me to believe the intent is there . Perhaps these pens were produced in the Boston area (Williams / Waltham Watches) or in Chicago (U.S. Name-Plate / Button Fill). I have also seen an advertisement for Phoenix Pen and Novelty in New York City that produced a Waltham Combo pen in 1931, though I do not know if they are related.  Finally, here is a link to a December 13, 1942 (after the above coupon expired) newspaper advertisement in the St. Petersburg (FL) Times. Waltham Pens (the ad appears directly to the right of the linked article) The retail price at the drug store has now risen to $.59, but the offer of printing still stands.

I hope that an astute pen historian will comment with more information and I will add to this article if I receive further research.

Here are a couple of photos of Ted Williams, one being his plaque in Cooperstown’s Baseball Hall of Fame.

Waltham pens are still plentiful and fairly easy to find in the vintage pen marketplace.  They are fairly well made, though firmly placed in the third tier of vintage pens. I have also seen some Fountain Pen / Pencil Combinations that they produced.   With little resale value, it still provides a unique peek into third tier advertising, and even a link to one of baseball’s finest hitters.

10/24/09 EDIT:  Antonios Zavaliangos was kind enough to comment with some excellent information on Waltham Pens that I want to reprint here ~

“From what I found Waltham Pen Company was a name used by Starr Pen Co. which was established in 1935 by the Starr family.  These people bought the “remains” of Conklin Pen Co. and continued to make pens under the name Conklin.  They also made pens under the names Waltham Pen Co and Winchester Pen Co.  Apparently there is a 1948 complaint against them primarily for using the Winchester name as it was alleged that they tried to imply that the pens were made by or affiliated somehow with the Winchester pen company.  This is referenced in the Trade Regulation Reporter c. 1948.  Google books has a limited view link to this case and the name “Waltham Pen Company” is also shown there.”

Thank you,  Antonios for this information.

Fountain Pen Restoration Article Number 100!  It is hard to believe that this is the 100th post here since November of 2007.  I hope that the readers have found a few that they have enjoyed.  Thank you for your comments, suggestions, corrections, and additions to many of these.  Hopefully the next 100 will be worth the read.  On to this week’s fountain pen.

Not a lot of information seems to be available to me on this Vintage Pen Company – Duocraft.  An exploded view of this large fountain pen is below and you can see the expected lever fill remnants of years of sitting are evident.  The sac has hardened and the jbar was corroded beyond use.  The most interesting part of this pen is the nib.  It is a three tined nib, more often referred to as a Music Nib.  More on that later…

As you can see, the pen needs a new j bar (large size) and sac (size 20), as well a general cleaning.

Below is a photo of the nib, a Warranted 14K No. 5.  The main problem with the nib is that it is very bent, and the tipping material is gone from the left tine.  This is work that is beyond my scope and as this is a unique nib, I decided to go ahead and get it re-tipped in lieu of replacing it with a spare regular nib.  You may recall that I have done this with another pen, a Parker Vacumatic in an article from October 13, 2008 ~ 1942 Parker Vacumatic Maxima. Greg Minuskin does exceptional work, and his turnaround times, and communication, are outstanding.

Below is a photo of the newly re-tipped Music Nib, which I received back in one week’s time.  The photo is complements of Greg Minuskin.

Music Nibs, so named as they are very useful in forming the characters necessary to compose music on music sheets, are available on a a few current pens.  However, they were rarely offered on vintage pens and this is the the first vintage music nib that I have run across.   Duocraft pens are often found with these nibs and it makes me wonder if they were aiming this product at the music community.  The design of the nib allows for fine horizontal lines and wide verticals and well as a very flexible flow.

I cleaned the old sac off of the section – cleaned the section and feed and inserted the retipped nib and feed back into the section. I reinserted a large jbar back into the barrel, checking for a firm fit.  The barrel and cap, including the gold furniture were thoroughly cleaned and polished.  Remember to take the time to clean the inside of the cap, as years of dried ink is usually lurking there.  As I mentioned  earlier, a size 20 sac was used and attached to the section/nib/feed unit before fitting back into the barrel.

Below is are two photos of the completed restoration.  The pen measures a large 5 9/16 inches capped and 6 1/2 inches posted.

The imprint is still crisp and did not need to be highlighted with white to be seen.  As you can see, Duocraft was in Brooklyn, NY.

My talents are not in calligraphy, but here is a quick writing sample showing the line variation that this nib permits.

These pens do pop up from time to time and at reasonable prices.  Should the nib be in good shape, they are an excellent way to show off your writing flair, and maybe compose a symphony or two!

Edit (10-14-09) ~ Please refer to this excellent article on another Duocraft Fountain Pen (with far more pleasing use of the pen and ink) that was kindly forwarded to me by the author. Thank you…

The beginning of the 20th century was a booming time for the fountain pen as it established itself as a writing tool.  Hard rubber pens were produced by many companies and one retailer, in Reading Pennsylvania, sold his own branded eyedropper ~ The Hintz Pen.  J.G Hintz owned a Stationer’s store in Reading during the first half of the 1900s.  This advertisement shows an early photo of Mr. Hintz and discusses his wares.

Here is the Hintz Pen that I worked on this week.  Below is the exploded view, prior to knocking out the nib and feed to clean. There was quite a bit of ink to clean out as I had dipped the pen several times to enjoy the experience.  More on the nib later..  You can see that it is an eyedropper filled pen and black chased hard rubber (BCHR).  Fortunately, the pen has withstood time well and the chasing and rubber are in good shape, with minimal discoloration or wear.  As with all eyedroppers of the time, the section/feed/nib unscrew from the body of the pen and the ink was poured into the barrel (by an eyedropper type device).    The bonus feature of this pen is the gold overlay on the barrel.  It also has withstood time well and is clean and crisp.

Mr. Hintz sent out birthday post cards and Christmas reminder cards to his customers ~ advertising his product line.  I have been fortunate to find a few of these and pair them with the pen.

A couple of things stand out to me.  First – pens were a major gift and probably given most at special occasions such as Birthdays and Christmas.  Second – the cards were written using several different languages which reflect the high concentrations of immigrants in the United States at the time.

The pen depicted in the card directly below is very similar to the pen I have restored, though mine would have been more expensive than this one due to the  gold decoration.  I wonder what the SOLID GOLD pen looked like that is referred to below?

Below are photos of the completed pen after I have reinserted the feed and and nib and applied a bit of silicone grease to the section threads.  I tested the pen overnight for leaking and it held ink with no leaks.  The pen measures 5 7/8 inches closed and 6 7/8 inches posted.

I have placed an estimated  date of 1910 on this pen.  I have no direct evidence of this as the advertisements and post cards carry no dates.  My estimate comes from the fact that several eyedropper pens that look very similar to this have been placed at this time  by pen historians.  This brings up the question as to where these pens were produced.  Again, I have no Hintz records to go by, but can make a few guesses.   Reading, Pennsylvania is located west of Philadelphia, and about halfway between Philadelphia and Bloomsburg, PA.  Bloomsburg is significant as it was the home of  the Paul E. Wirt Pen Company . Clicking on the name will lead to and excellent history of Wirt Pens. This pen resembles photos I have seen of some Wirt Pens and it is not too long a stretch to think that they could have been produced by Wirt.   The nib suggests another producer.   It is a Franklin No. 3 (seen below).  The Franklin Pen Company also produced pens for other companies and the Franklin Nib would seem to make this the most likely scenario, given no hard written evidence.

The imprint and gold overlay, still crisp clean.

The Franklin / Philadelphia nib which leads to a guess as to where the parts were made. The nib, as with many of these vintage eyedropper nibs, is extremely flexible.

These regional pens pop up from time to time and it is fun to try and trace their history and relationship to the larger pen community.  Certainly, the Hintz Store sold a quality product and this one has survived after one hundred years.

This week’s restoration comes to me from across the Atlantic ~ a P. W. Akkerman Button filler, from the Netherlands.  P. W. Akkerman, is (and was) a well respected retailer located in The Hague.  They were founded in 1910 and have thrived in the Netherlands ever since.

Below is a photograph of the pen after I have taken it apart.  You can see that the blind cap and the clip cap are both in very bad condition.  This is where the parts bin comes in handy, and I had both available from Duofold Junior donor pens from years gone by.

As with most button fill repairs, the pressure bar also needed replacing as this one had lost its rigidity.  I used it as a guide to cutting another to the correct size.  The nib needed to be cleaned and is the only piece of gold on the pen.  The clip and cap bands were at one time gold plated, but that had worn off  and all that is left is the steel base.  Someone had decided to scratch their name into the barrel and I spent quite a bit of time with find grain paper sanding it off.  After this was done, I used scratch remover and polish on the barrel and cap, restoring a bit of their former shine.

I fit a size 16 sac to the cleaned nib/feed/section and screwed this back into the barrel with the assistance of a bit of silicon grease.  I then  carefully placed the new pressure bar in to the barrel through the button hole, making sure it fit securely against the section unit.  Remember to smooth down the end of the pressure bar prior to insertion to guard against it shearing the sac.  I attached the newly cleaned button to the bar extending from the button hole and tested the mechanism with water.  The seals held overnight and the pen fills well.

Finally, I inserted the new blind cap and clip cap to the cap and barrel, producing the pen below.  Aside from the clip, which is badly discolored and a but pitted, it is a nice looking pen again.

The fountain pen measures 4 13/16 inches capped and 5 3/4 posted.  The nib is a Parker arrow nib and is imprinted that is was made in Canada.  This is the only marking other than Akkerman on the pen.  I do not know if this nib is original to the pen, and suspect that it is not.

I initially surmised that these pens were made in Parker’s English factory in Newhaven, as it so closely resembles a Duofold.  However, further research would lead me in the other direction…

Below is the imprint, referring to P. W. Akkerman and its two related locations.  I have corresponded with Mr. Paul Rutte (The Hague location) and he was kind to confirm that this was indeed an original Akkerman Pen from the late 30s/40s and was available for sale to the general public and not just a promotional piece.  He also mentioned that these pens were produced in Germany, and assembled in The Hague.   The excellent book Fountain Pens Of The World by Andreas Lambrou, confirms this as it states that Akkerman Pens were produced for them by Lamy in Germany.  The striking resemblance to a Parker is not so far fetched as the early history of Lamy is tied to Parker, as Josef Lamy actually started with Parker and when he went out on his own, several of his early pens resembled Parker’s (source ~ Fountain Pens of the World, by Andreas Lambrou).

,

Here is a photo of a Senior and Junior Duofold in the same Burgundy/Black Marbled pattern that were produced in the 30s in Janesville, Wisconsin.  The Junior model is almost identical to the Akkerman Pen.

And finally, an assortment of Parker products from the 1930s showing this same attractive pattern that Parker used.  Top to bottom:

Duofold Senior, Duofold Junior, Deluxe Challenger, Challenger, Challenger (small), and Challenger Pencil.

In case you hadn’t noticed, I love restoring Vacumatics.  They present a challenge, more steps, more chances for mistakes, but the reward is high.  The colorful shiny finish and transparency is a nice finish to the project.  They can’t all be burgundy double jewels, but some are better than others.  Large double-jewels are very nice looking pens and I enjoy the larger size for writing.

This weeks restoration is just such a pen.  Measuring in at 5 3/8″ capped and 6 1/8 posted it is a substantial pen in the hand.  I picked it up for just over $20 and these types of finds are why I don’t buy new pens.

As you can see, it came apart to its 13 basic components, not counting the destroyed  diaphragm.  All parts are in good shape, just a bit dirty.  The cleaning was done first, using an ultrasonic cleaner on the metal parts (except for the filler unit).  I really like this model as the speedline filler is still metal and the section and cap / barrel ends are all striped to match the golden pearl body.  As with previous repairs on vacs that I have covered (see the Categories List on the right of this page under Parker Vacumatic), it is important to clean the inside of the barrel, removing all of the old diaphragm.  It likes to hide by attaching itself to the side of the barrel.  Be sure to be gentle in removing it so you don’t scar the barrel, reducing its transparency.

This size Vacumatic took a Standard Size diaphragm which was attached to the speedline filler and inserted back into the barrel using a vac tool.  Always check the barrel by using a gooseneck light (before screwing in the section/feed/nib/breather tube) to make sure the unit and diaphragm are in securely and cleanly.  The light should show the diaphragm in a nice clean circle at the end of the barrel and the unit should move cleanly when the filler is depressed.  I usually put my tongue over the barrel to feel the vacuum suction a few times.  As I have mentioned in previous posts, a good Vacumatic diaphragm lubricant is available at richardspens.com.  It aids in getting the diaphragm and filler back into the pen with no bunching.

The finished product is below.  The pen measures 5 3/8″ closed and 6 1/8 inches posted, though I feel this pen is too large to post comfortably.

From the photos below you can see that this is the normal two-tone nib for these pens.  The pen dates from 1939.  Golden pearl Vacumatics first appeared in 1936 and the streamline fillers began replacing lockdown fillers in 1937.  During WWII, these filling units became plastic to conserve metals.

The nib on this pen, aside from being two-tone, has a nice generous medium nib, almost bordering on broad.  This is always a bonus when searching for vintage Parker Fountain Pens in the wild.